LIL' FLIP
He’s the cameo king: Beyonce’s
“Naughty Girl” and J-Kwon’s “Tipsy” remixes, David Banner’s “Like a Pimp,” Three
6 Mafia’s “Ridin’ Spinners” and more. And now everybody’s yelling his name on
his latest hit, “Game Over.” OZONE sat down with Lil’ Flip at the W Hotel in
Manhattan to rap about his new album, “U Gotta Feel Me,” the reason he’s Sucka
Free, and what his huge, new diamond-encrusted Clover G Records neck chain
stands for. Flip, Flip, Flip!
Talk about your new album, “U Gotta Feel Me.”
This album is a little bit different from my last album because I put a lot
more energy into it. I made a lot more tracks for the crowd to participate with.
What people don’t understand is that not every track you record is going to be a
track you can perform in concert. So, I got a lot of tracks that I can perform
at my shows on this album. I got Ludacris on the album. I’ve got a track with
Cam’ron. Of course, David Banner, Three 6 Mafia. It’s just a big step from the
last album. I went out and found some more hungry cats. Every album I do, I try
to find some cats without a deal, without a name, and do some work with them to
give them a chance. So, I let some hungry cats produce about half of my album. I
got two Red Spyda tracks, a Neptunes track, Heatmakerz, ya know.
Did the Neptunes send you a Southern-style track?
It’s like a smokin’, laid-back track. Down South. My flavor.
You recently went through some label drama with your own independent label,
Sucka Free.
Well, I was told that I owned the company, and when I looked at the
paperwork my name wasn’t on there. And show money discrepancies were comin’
about. So I decided to form my own label, that way I could know everything
that’s going on. I can be involved with everything. Because I was just doing the
rap before, just making sure the album was right. I draw all the covers,
everything. Now I handle everything. I just co-directed my video with Benny
Boom, the “Game Over” video during All-Star Weekend.
What’s the theme of the video?
I was really talking about the rap game. I didn’t want it to be a kiddie
game video. See, I take themes from movies. When I did “The Way We Ball,” I took
the theme from “Brewster’s Million.” I had to spend a million dollars in one
day. And this one is the theme from “Blow.” They weigh the money up on the
scale, and I’m walking through the crowd and everywhere I go they want Flip. The
women are dancing with different men and going through their pockets, stealing
money and jewelry. When I walk through the club, they hand it to Flip.
What’s the name of your new label?
Clover G Records, distributed through Columbia Records.
Was it an emotional split with Sucka Free?
Yeah, my partner was friends with my dad and I put a lot of trust in him, so
I expected more. Out of all the people I knew, I didn’t figure him to do
something like that, taking money and stuff. But you learn. That makes me
realize that you’ve gotta back-track everything. If a person tells you
something, you can’t believe everything a person says. You gotta go see for
yourself.
Having been in the game for a while, what other lessons have you learned?
You just gotta represent you. Can’t nobody represent you like you. And if
you’re in the presence to talk for yourself, that’s the best thing. ‘Cause a lot
of cats get lazy and don’t wanna work, and they think it’s cool to have all
kinds of managers. I like to handle everything on my own, that way there won’t
be any mix-ups.
Did your popularity grow after being featured on David Banner’s “Like a
Pimp?”
Yeah, ‘cause when we did that track I didn’t even expect it to do like that.
I just thought it was an alright track. And Banner called me and said they were
lovin’ it. That helped me out, that pushed my album to platinum. I only had one
video, for “The Way We Ball.” I was still doing shows off “Like a Pimp,” and
right after that, [Three 6 Mafia’s] “Ridin’ Spinners” came out. Then I did a
track with Fam-Lay, Pharrell’s artist. I’ve just been doing features and staying
afloat like that.
I read that you had a 50 Cent-like experience with being shot?
It happened real quick a couple years ago. I’d rather not discuss that.
Did coming that close to death give you a new perspective on life?
Yeah, it makes you take advantage of every situation you’re in, and it makes
you pay attention. You observe more. I would go places with no security before.
But when that happened, it made me more observant. Like, right now, I could tell
you what everyone in this room has on if something was to happen. It makes you
realize how to treat people, too. That wasn’t a problem before.
What’s next for you?
I got my own liquor coming out. It’s called Lucky Nites. I did the “Naughty
Girl” remix for Beyonce and the J-Kwon “Tipsy” remix. I got a track on NFL
Street, “NBA Live.” I’m a new character on Def Jam Vendetta Part II. In the
future, I’m going to get into directing.
